With her debut single Sweet Static, Freja Nohr arrives like a transmission through frozen air. Her sound drifts between memory and machinery — crystalline synths, ghosted vocals, and a pulse that feels half-alive, half-asleep. Raised in the digital north, she writes songs that hum with loneliness and light. Sweet Static is her first signal, soft yet electric, the start of something beautifully uncertain.

Anaïs Rêve is a Paris-based electronic pop artist whose songs drift between dream and signal. Her voice carries a quiet ache, wrapped in synths that shimmer like streetlights after rain. Blending intimacy with digital detachment, she explores love, memory, and connection in a world where emotion travels through code. Her debut single, L’amour est en ligne, is both fragile and hypnotic, a heartbeat caught inside the static.

Keira Kai has arrived, loud, sharp, and impossible to ignore. Her debut single Stupid People hits like a glitter grenade. Three minutes of brat-pop brilliance that turns frustration into a hook you can’t shake. The track pairs snarling lyrics with a pulse of electric defiance, a sound that nods to late-night punk clubs without losing its pop heart.

Meet Arden Rae. She didn’t come from a label’s talent scout or years of band rehearsals. She was born at the intersection of curiosity, imagination, and artificial intelligence.